Book Club: Details — A Stylist’s Secrets

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Details: A Stylist’s Secrets to Creating Inspired Interiors by Lili Diallo is an inspiring book. Filled with photos of beautifully styled interiors, it makes you rethink how you decorate. Frankly, Lili Diallo had me at the pink sofa on the cover! I am grateful to Michele from The Great Read for recommending this delightful book. Diallo’s style secrets include choosing a color and creating a loose narrative around it, while re-using what you already have and supplementing with found and recycled items. In other words, it’s kind of urban-meets-hipster chic while still following traditional grouping rules. That’s what makes it worth reading; perhaps it will shake up your preconceived ideas about how to use what you already have.

And buy some pink peonies.

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One of the reviewers on amazon.com suggested that if you like the Apartment Therapy blog, you’ll love this book, so here’s the link. Have fun!

Book Club: Writing Jane Austen

There’s just so much to say about Elizabeth Aston’s 2010 entry into her growing group of Jane Austen sequels and tributes. As I was listening to it in the car, I kept having to scribble ideas down on note cards because there was a lot of great stuff going on in this book.

It’s clear that Aston, unlike her heroine Georgina Jackson, knows a lot about Jane Austen and a lot about the literary world. That’s what makes this book work, because Georgina Jackson is one of the more unlikable main characters I’ve encountered in a while. She’s an American modern-day academic who specialized in downtrodden females and children from the late 19th century. She’s immersed herself in studying social history in the English industrial revolution towns such as Birmingham and Manchester, and has written a critically acclaimed novel about the degradations of growing up poor in the late 1800s. Unfortunately, it didn’t sell and Georgina’s fellowship is about to run out of funding which will force her to leave her beloved England and return to America as writer who never lived up to her promise.

When Georgina is offered the chance of a lifetime opportunity to finish a recently discovered novel fragment written by Jane Austen, she does everything she can to get out of it. Her dirty little secret comes out — not only is she supercilious about the society in which she believes Jane Austen lived and wrote, she’s totally ignorant of the truth about Austen. She’s a very well-educated literature scholar (Brown, Oxford) who has never read any of Austen’s novels.

As an Austen lover myself, I think it is truly masterful the way Elizabeth Aston unfolds the rose petals of the plot as Georgina learns about Jane Austen’s writing and struggles to recreate and match its tone and syntax. The story is populated by secondary characters worthy of an Austen novel, including a particularly unflattering subplot about Georgina’s literary agent and publishers. Aston drops all kinds of literary jokes and allusions to both Austen and other writers contemporary to her; references to Kim by Rudyard Kipling and Patrick O’Brien’s Aubrey-Maturin series, which includes Master and Commander, made me want to rush to the library to check them out.

English: Image of the High Street of Lacock Vi...

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Georgina’s visits to Bath and Lacock brought back many happy memories of our recent trips to England, and I was particularly enchanted by her friend’s shop in which one could buy all things Austen. This website popped up as I was writing this post, just in case you want to skip the trip to Bath and let your fingers do the walking.

All in all, I was delighted with this book about a character who lives under a rock of misguided prejudice. I have to admit, though, I was surprised by the final twist to the story. Thank goodness Aston was true to her own plot; Writing Jane Austen ends, as in many Austen novels, with not one, but two happy marriages. The only reason I didn’t give this book a full 4/4 rating was that the unfolding of the rose was pretty slow in the beginning of the book, probably so that non-Austen readers could fully understand how far under the literary rock Georgina really was!

Elizabeth Aston was born in Chile to an impeccably English father and a distinctly un-English Argentine mother. Educated by Benedictine nuns in Calcutta, Fabians in London, and Inklings at Oxford, she’s lived in India, England, Malta and Italy. Her Mountjoy books (originally published by Hodder, and now reissued as ebooks) were inspired by years of living in York, where her son was a chorister at the Minster. They depict the unholy, unquiet, and frequently unseemly goings-on of an imaginary northern cathedral city and its peculiar inhabitants, enhanced with a touch of magic and enchantment – Elizabeth Aston has always been fascinated by what lies just beyond our sight. Her other books include the bestselling Darcy series – six historical romantic comedies set in the world of Jane Austen, and a contemporary novel, Writing Jane Austen. These were inspired by her love of Jane Austen – her heroes, her heroines and her wicked sense of humour (amazon.com).

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Terrible Ideas

If you’ve known me for any length of time, either personally or social-networkily, you probably also know that I’m a Frances Mayes stalker. Trust me, if I ever get to Tuscany, the first place I’m going is Cortona and you’ll see my photo standing in front of Bramasole all over Facebook and my blog.  I know she doesn’t live there anymore, but maybe she’ll come back to check on it and come out to say hello to me. One can only hope.

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Katherine: It’s a nice little villa. Rather run down, but redeemable… Are you going to buy it?
Frances: The way my life is currently going, that would be a terrible idea.
Katherine: Mm, terrible idea… Don’t you just love those?

There are many memorable quotes from my all-time favorite movie, Under the Tuscan Sun (see my review here), but this one is probably my favorite, because my life is full of terrible ideas. And I love them — most of the time.

So how does this relate to my blog? If you were sitting here in my office with me, I’d invite you to check out my Drafts folder in WordPress. Over the last 2 1/2 years, I’ve published 219 posts — averaging about twice a week. That’s not so bad, considering I have a full-time teaching job. But wait. I also have 77 unpublished drafts in there. That’s an average of 2.56 per month that I DIDN”T publish. Why not? Were my ideas so terrible that they weren’t worth the light of day?

The oldest draft is from October, 2010, and the title speaks for itself. “Things I Love: Free Time” — there’s nothing written in that draft beyond a cute topic sentence. I wish I had made time to write that one; it would be interesting to read what I was worried about at that point in my life. I’m still looking for free time.

Recently I started going through old recipes boxes that we got from my husband’s aunt. She’s almost 103 years old, and I was going to do a recipe series where I cooked her “receipts.” I actually made Golden Shrimp Casserole and photographed the process. I never published that draft because the casserole was TERRIBLE. I think we finally threw out the last of it after we tried to cover it up with cheese to make it palatable. So much for “Aunt Rachel’s Recipes” from January 8, 2012. Trust me, I’ll never publish that one.

Then there was last week’s unpublishable rant about something at school. Let’s just say I thought better about publishing it — maybe I’ll put it in my book about 100 Things I Never Want to Do Again when I retire. It was definitely a terrible idea to publish it, but at least I got it off my chest and it’s safe in my computer. Or is it…?

The good news, for those of you that enjoy my book reviews, is that there are four GOOD ideas waiting to be finished up and published. I think you will love reading about The Provence Cure for the Brokenhearted — a very good book. Interestingly, the premise of that book is a terrible idea that turns into love and happiness for the characters. 🙂

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P.S. I’m pretty sure I AM going to publish my rant about who put Adele in this ugly dress when her amazing talent deserves a truly amazing dress. Did they think we couldn’t see the grandma underslip she was wearing, apparently so she could wear the support bra she definitely needs? I mean, really. More on little black dresses that WORK on another day.

P.P.S. Thanks for staying with me. I made a goal to try to keep my posts under 500 words, but this one slipped over the edge. I hope it was worth your time.

Based on the Book: First Reactions to GCB

I knew that ABC’s GCB couldn’t be as good as the book, but I was hoping for more. In order to make a series, of course Kim Gatlin’s book is going to be butchered, but there were some major liberties taken in the pilot episode.

Let’s start with the obvious — Leslie Bibb as Amanda is just too tall for this cast! Being around petite actresses like Annie Potts and Kristen Chenoweth makes her look like a freakish giant, and she’s always having to look down at the rest of the women, which even on a beautiful woman can result in ugly chin and neck wrinkles. What were they thinking?

Then there’s the whole plotline of the Secret Admirer gifts. What a letdown to give up on the original plotline where a real Texas hunk is sending the gifts, not one of the tacky neighborhood husbands. Gigi didn’t buy her that stuff in the book and I thought it was a cop-out to let that story go in the first episode. Annie Potts is, however, playing her role with sass and the appropriate amount of sexy-grandma spring in her step. She’s pitch-perfect.

Kristen Chenoweth is such an amazing actress; do we always have to have her do the freakshow over-the-top cartoon character? She got tiresome in Glee and I’m already chafing at her role in GCB. They can’t redeem her, so I hope they soften her up a little to give us back the charm and selective innocence of Glinda the good/bad girl witch.

I had high hopes for GCB; I’m not so sure after tonight’s episode, but I’m not giving up yet. I’m staying tuned for at least another week. What about you?

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Book Club: The Little Women Letters

It’s Sunday, so it must be Louisa time.

English: Image of American author Louisa May A...

I grabbed The Little Women Letters off of the “new books” shelf at the library. The modern cover with a bright turquoise background practically jumped off the rack at me, and it looked like an intriguing read.

Author Gabrielle Donnelly reframes the Little Women story by creating adult lives for Jo, Meg, and Amy March, a story discovered by one of Jo’s descendants and told through letters written by Jo. It’s a stretch for an Alcott historian, because for anyone who has read either Louisa May Alcott’s sequels to Little Women or anything about Louisa’s real life, Donnelly’s new vision of the adult March sisters doesn’t make much sense. In fact, in this picture, Little Women doesn’t even exist. I had to force myself to focus on Donnelly’s narrative and to try to disconnect from everything I know about Alcott’s writings beyond Little Women.

Once I got past the obvious continuity flaws, I enjoyed the book. Lulu Atwater, a direct descendant of Josephine March, lives in London with her two sisters and parents. Her mother, Fee, is a Bostonian who married an Englishman and left her New England roots behind. With her came family recipes and papers, including a set of letters written by Lulu’s great-great-grandmother, detailing the day-to-day thoughts and dreams of Jo March, including her excitement at meeting a certain interesting young German professor.

The Atwater sisters are obviously patterned after the March sisters and Fee Atwater provides a strong, nurturing center for the three young women who are finding their places in the world. As a tribute to the beloved Little Women, Gabrielle Donnelly has created a contemporary story of sisterhood, just as Louisa May Alcott did in her day.

For The Louisa Challenge, I’m reading An Old Fashioned Girl right now, and finding it fascinating to also compare it to its contemporary counterparts. I hope that you stop back next week to lend your voice to our study of Louisa May Alcott’s chick lit.


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Book Club: The Man Who Couldn’t Eat

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I think that it’s pretty clear where my reading priorities lie. I love juicy historical fiction, preferably set in England or France, with lots of pages chock full of scheming and treacherous wanna-be royalty. I like books that require me to look at the family tree at the beginning of the novel. I like books that force me to read with my search engine as my companion so that I can check facts. I love books that give me a new castle to visit.

That’s why it was kind of surprising how much I loved The Man Who Couldn’t Eat. At its heart, it is just a simple tale of a man who loves food but is forced to go NPO — nothing by mouth — for three months so that complications from his Crohn’s disease can heal. Jon Reiner’s narrative is truly gripping as he leads the reader through his love of food and the relationships he has established around food. We feel personally the devastation that comes with living a life without going out for breakfast at the local diner, or having Thanksgiving dinner, or even just being able to pick up street food from his neighborhood food truck.

The Man Who Couldn’t Eat is also a lesson in self-discipline; I’m not surprised that there were times he was ready to give up and considered suicide as an alternative to his chronic illness. Reiner’s home life suffered throughout his ordeal; he had been the stay-at-home-dad and the main cook for his family because his wife had to keep her job as a teacher in order to maintain insurance coverage. His young children and his wife are emotional victims of Crohn’s disease along with the physical devastation experienced by Reiner. The Man Who Couldn’t Eat is a vivid look at how much a family’s central core can be damaged by chronic illness. Yet, he lived through the deprivation and emerged to tell his story in a way that will keep the reader fully engaged and unable to stop reading.

JON REINER won the 2010 James Beard Foundation Award for Magazine Feature Writing with Recipes for the collaborative Esquire article “How Men Eat.” His memoir, The Man Who Couldn’t Eat, is based on an acclaimed article of the same name that he wrote for Esquire in 2009. He lives in New York City with his wife and two children (amazon.com).

Book Club: Pull

Over the past few years, I have watched a member of my church carry around a yellow legal pad, scribbling and scribbling. I don’t know her very well, and I never took the initiative to ask what she was writing. Maybe it wasn’t any of my business.

To my surprise, her scribblings turned out to be a novel which actually got published. Popular reviews on amazon.com were positive and we wanted to support our friend, so our church book club decided to choose Pull for one of our monthly titles.

Pull by B.A. Binns tells the story of an African-American teenager who has lost his bearings due to his mother’s death at the hands of his abusive father, a death which he feels he might have prevented. Since Dad is in jail, David and his two sisters are reluctantly taken in by a relative, rather than separating the family in foster care. The kids move to a city neighborhood where their aunt lives, and David leaves his high school basketball stardom behind to go to an inner city high school where his attempts to remain anonymous are thwarted by relationships with both students and faculty. In order to help support the family, after school he works for a construction firm, where he finds satisfaction and pride in his new-found competency.

It’s not a good story without conflict, and Binns creates a compelling tale about how David and his siblings negotiate making a new start in a foreign environment. As with most teenagers, David’s story revolves around his preoccupation with a beautiful girl and his testosterone-infused competition with another male student. I was engaged immediately and read the whole book in two sittings.

Pull is a realistic look at what teenagers in urban schools deal with on a daily basis and I recommend it for readers in high school and beyond. It’s gritty and has overt sexuality, so don’t be surprised or offended by its frank look at a boy’s view of the world. I think that Barbara Binns has done an excellent job writing in a male voice, and I would go out on a limb to say that Pull is similar to The Outsiders in its contemporary message.

As with most authors, it turns out that this isn’t Binns’s first novel; she has written others that have yet to be published. I look forward to reading them.

Book Club: Velocity

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In a direct sequel to Crush, which I reviewed on my 2011 Book List, Velocity continues the story of FBI profiler Agent Karen Vail’s search for her missing lover, Roberto Hernandez. After having been on what she understood to be a vacation in Napa Valley wine country with her boyfriend, she finds out that his disappearance is actually linked to his undercover work with the Drug Enforcement Agency and the FBI. The chase takes Karen and the reader from Napa to FBI headquarters in Quantico, Virginia, and on to  drug hideouts in San Diego and Las Vegas. It’s a dizzying story of one of America’s dirty secrets, and really highlights how much we civilians don’t know about the drug trade which is going on right under our noses.

Author Alan Jacobson has actively researched and trained with law enforcement professionals and has used experience to inform his Karen Vail novels. Although I’ve read two of the Karen Vail books, I chose the first one because I was hoping to find a story set in Napa Valley. Jacobson seems to be as careful about his setting research and development as he is about his cop research, but I found that his heroine Karen Vail sets my teeth on edge. Her on-the-edge-of legality behaviors don’t resonate well with me; she seems hysterically determined to take matters into her own hands despite what protocol and common sense would indicate. Of course, it wouldn’t be a thriller if she didn’t get her man in the end, but it makes me shudder to think that there are actually cops out there behaving in such risky ways.

If you are a fan of Criminal Minds on television, you will find this story right up your alley.

The Louisa Challenge: Little Women

Illustration from: An Old-Fashioned Girl. By L...

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Welcome to the second installment of The Louisa Challenge where we read one Louisa May Alcott book every month and then discuss it. You can find the prompts here. If you wrote a post yourself, please link it up in your comments so that we can all read your work!

I was watching Midnight in Paris (for the fifth time) last night, and Woody Allen’s script calls for a character to say that Mark Twain is the father of the American novel. I’ll accept that, but I’d like to add a mother to the little family. I’d like to propose that Louisa May Alcott is the mother of the American chick-lit novel.

Louisa May Alcott has long been known as the forerunner of the Young Adult genre of authors we know today. In her time, her popularity was based on the fact that most other writers for children were moralizing and preachy. Her characters resonate with real-life drama — they don’t always behave well, they feel guilty when they misbehave, and they don’t always marry the man of their mama’s dreams.

Are Louisa’s string of novels the archetypes for such popular books as Lisi Harrison’s Clique series?  At first glance, one might be horrified at such a comparison, but let’s extrapolate, applying a little Midnight in Paris – style time travel. If Alcott were alive today, would she embrace Facebook and Twitter and use it for her characters to gossip about each other? She writes with an almost vicious delight at the “mean girl” antics of Meg’s friends and she gets even better at it in An Old-Fashioned Girl. They make the perfect foil for the March sisters who struggle to be “good” while also wanting to enjoy the good life. Only Beth seems immune to peer pressure, but then she doesn’t get out much.

How many times have you read a current novel in which the heroine realizes that the hunky bachelor, while providing social standing and sinful delight, is not the one to settle down with and marry?  Sometimes the heroine even passes off the hunky bachelor to a friend, and that relationship turns out to be a marriage made in heaven. Goodbye Laurie, hello Professor Bhaer.

I need to go on record here that I’m frequently appalled at a lot of what my students read today. I believe that constantly reading about the mean-girl phenomenon legitimizes its inevitability, even though many of the popular books do have heroines with a heart of gold who make the right choice in the end. Unfortunately, I’m afraid that in our drive to present young girls with realistic role-models, we’ve also given them permission to misbehave because “everyone does it.”

But let’s get back to that time travel thingey. Louisa as YA Queen. No wonder people came to her house in Concord and asked for locks of her hair. If she were a modern woman, would she also be appalled? After all, she often called her YA novels rubbish and was kind of embarrassed about them.

Can you see her on The View? What do you think?

P.S. I really struggled with writing to my own prompts, and thus found myself straying off-task. I hope you will forgive me, and I’m looking forward to reading what you have to say!

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Book Club: Good Christian Bitches

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If it’s got Kristin Chenoweth (Wicked, Glee) in it, it’s got my attention. That’s why I was initially attracted to the new television show premiering on March 4 on ABC. Then I found out it was based on a book and I dialed up my public library to get on the list to check it out.

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La divine Chenoweth stars as Carlene Cockburn (in a compilation of characters from the novel), a society maven of one of Dallas’s ritzy neighborhoods, Highland Park Hillside Park. Since I haven’t seen the television show yet, I don’t know how the show will play this change in characterization, but it’s sure to be delightfully naughty.

In the book, the heroine of the piece, Amanda Vaughn, returns to the familiarity and safety of her hometown neighborhood after a nasty separation and impending divorce from her philandering husband. Her two children, not really understanding their mother’s plight, are none too thrilled to be plucked out of their ocean-side home in Newport Beach, California. She is asked to chair the Cattle Baron’s Longhorn Ball after its fundraising efforts for pediatric care have been discredited by the previous chair. Her “good friends” from high school propose this obvious fiasco as a way to drown her failed-marriage sorrows in good works, but their motives are less than charitable — and from thence comes the title. And then there’s the mysterious rich guy…

Apparently the book is a thinly disguised accounting of author Kim Gatlin’s own experience. Only the names have been changed. You should really click into this link and see the discussion, including replies from Kim AND her mother about the book! It’s hysterical.

Although it has garnered lots of controversial press in the Bible Belt, which resulted in a change in the name of the television show from Good Christian Bitches to Good Christian Belles and finally to the sanitized GCB, I’m looking forward to watching the premiere. The book was funny and well-written and in any other socio-political climate would be called the ultimate beach read.

In the comedic hands of Kristin Chenoweth and Annie Potts, who plays Amanda’s mother Gigi, the show has a good chance of being successful. I suggest that you read its inspiration and play the Book 2 Movie game along with me.

I leave you with the best quote I’ve heard this week which my sources tell me comes from Carlene: “Cleavage makes your cross hang straight.”

I hope that Jenners at Life With Books will forgive me for copying her format. It’s so absolutely fabulous that I knew I needed to change my concept — and they say imitation is the highest form of flattery. She reads much more important books than I do, so go over there and check her out.

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